Tom Felton On Wendy's Commercial

Back in New Zealand

Hello everyone.

Here we are back in the house of Kohimarama. 5 weeks have now passed from date of return. It was July 15th when we again landed at Auckland. A rainy and cold that day. It 'was a traumatic moment I would say almost off the plane arriving from Italian and especially after 3-day stopover in Hong Kong, where the temperature was 34-35 degrees with 100% humidity. But we did it. With the help of our Foster Parents Epsom (Peter & Linda) and that they came to get her home.

The second and trauma 'was set foot in the house. Umidissima and cold. Before cosa fatta ancor prima di mettere giu' le valigie e' stato accendere i termosifoni e il deumidificatore. Salutato e ringraziato Peter & Linda ci siamo fatti un bel te' caldo e dopo via di corsa a letto. Credetimi. Eravamo esausti. Noi in aereo non riusciamo a dormire. Ci siamo infilati sotto le coperte ancora mezzi vestiti, tutti e tre nel lettone matrimoniale. Lina aveva anche riposato, ma ad ogni modo era sveglia dalle 7 del mattino anche lei, quando avevano iniziato a girare per l'aereo con la colazione. Fortunatamente cinque sei orette era riuscita a dormire. Dovete sapere che alla partenza da HK (alle 9 di sera) abbiamo passato quasi tre ore da incubo perche' dopo essere crollata all'aeroporto verso le 7 mentre aspettavamo l'imbarco abbiamo dovuto wake (in fact if I remember correctly and it 'woke up alone) to board. So 'we've ruined the sweet sleep. Gia 'This, to us adults, it runs the boxes, then try to think for a little girl dead tired being in the midst of the confusion of people trying to settle in the various seats. The hostess who kept running back and forth with a thousand things to do. The lights still on. The take-off. Dinner. The people who went to the bathroom. . . etc. ..

Lina in all this and 'passed the stage overtired and then ...... tantrums and crying. Three hours worth of poor. Then the collapse. Good night, good night, floret ( http://www.youtube.com/watch?v=cIkosxIvEQw ) By the grace of Signore non ci sono state forti turbolenze che ci avrebbero costretto a riprendere in braccio la tata e quindi quasi in automatico ..... duro risveglio ( http://www.youtube.com/watch?v=HdJL7mKVYbM&feature=related ).

Dopo quasi oltre due ore di riposo (vorrei dire profondo sonno) ci siamo a fatica rialzati. Non potevamo dormire tutto il pomeriggio, altrimenti poi la notte sarebbe stata ....... in bianco.

Dovevamo inoltre cercare di riabituarci al nuovo fuso orario. La sosta "tecnica" a Hong Kong da questo punto di vista ci aveva agevolato parecchio. Tre giorni con un fuso orario di +6 rispetto all'Italia e -4 da Auckland erano stati sufficienti a calmierare l'ampio gap fra le due destinazioni, the departure and arrival. When we woke up it was almost dark as here in the middle 'of July the sun sets at around five in the afternoon. We looked and we did quite a wry smile. We were no longer 'used to these short days. We left Italy where the sun set at nine and a half and Hong Kong where he started at eight. We had left the northern hemisphere and we were back in the Southern Hemisphere. This was the real "problem." Within us a tremendous sense of nostalgia. We spent five fantastic week and met wonderful people. We could safely say that any better than this' could not go. Even Lina had changed! He had the opportunity to embrace part of that world to just before the voice had always been told or seen in photographs. What is most 'beautiful for us and' that seems to be liked so much. Thank God

Missil Digital 10 X 25 Camera Binoculars

Quasi Vero

Yesterday I happened to see Almost True of Lucas, the "other story the rock. " Interesting exercise, on paper, even if already betting on Jim Morrison and Led Zeppelin on one (that I know little or nothing), I had seemed a bit 'over-constrained.

Yesterday was the turn of the murders of Biggie and 2Pac, instead of something that I knew.
course, a disaster. Now, I'm there I may as well keep that to seek a solution impossible, but an effect like that of an old woman (Mama Rose or whatever it's called) singing the gospel and make the killer rappers you can ignore some important facts, but the fact is unforgivable mess.
Skip the links between Bad Boy and Death Row, putting half in the Murder Inc., Irv Gotti, 50 Cent (who Lucarelli, undaunted, continued to call 50 cents for the entire drive), unlikely gang of Mexicans in LA (-Byz Latz, who has ever felt?), Rappers do not exist (Marlo?) I think its a crap, especially if coupled to general statements of a FBI agent infiltrated the music world and all that said the opposite of everything and the statements of a vague and superficial Luzzatto Fegiz like never before. Only two of the pearls Luzzatto Fegiz National: 50 Cent wounded in the language they acquired their own style in that way, and Puff Daddy who, despite being a rapist (!), Conquering beautiful women like Jennifer Lopez.
But it was said that had to be (almost) true, the bases of the transmissions?

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Robot Kaard - Overtime

Kaard Robot - Overtime

Punctual as always, back the prolific beatmaker Neapolitan Kaard Robot (aka Carmine De Maria, aka John Cardem, aka many other names), with Overtime , an album / EP DI13 done purely instrumental tracks (despite some effective voice and distorted).
Compared to the previously reviewed Calculator, which was inspired by atmosphere "Teutonic", here we are in different areas and more "modern". The vision is clearly different, and although the author's hand si senta, si vira verso un suono che riesce a coniugare melodia e paranoia in maniera quasi sempre ben riuscita. Robot Kaard riesce infatti a trovare la misura per quanto riguarda lo stile, ormai diventato, oltre che personale, riconoscibile: momenti urticanti che lasciano spazio a sghembe e scheletriche melodie che sembrano arrivare dallo spazio profondo.
In più di un momento, Overtime ci porta in territori che sembrano luoghi di confine fra l’elettronica e l’hip hop di nicchia (quello in stile Def Jux, per capirci), dove dominano le ritmiche “dopate” a media gradazione di BPM e i suoni filtrati ma pur sempre grassi e, in senso molto lato, funk.
Ad esempio, illuminating in this regard is the initial Attack, which would not be inconceivable to hear the staccato rap and wrapping of Aesop Rock. And if Cut Waving , with its rarefied atmosphere, lands us back in the purely electronic Digital Day, Smile and Too Paranoid carcasses seem holographic disc 80 pieces.
Effective rhythmic choices (although more powerful drums at some point would not have failed), and good instrumental variation, seeking uniformity of style. The moments more aggressive and "acid" as Light and Rue Boyer balance doped ones in a natural way and keep on a schedule that does not get bored. In this sense, the ability to keep almost always less than 3 minutes per song, by the author, is a test of intelligence, given the nature of the compositions, which seem to sketch faces to suggest the atmosphere, rather than songs performed. And as the playing field you choose, this can only be an asset.

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La Tristezza

find differences.